Scott H. Biram

Majestic Live Presents

Scott H. Biram

Boo Bradley, Jack Grelle

Thu. May 4, 2017

Doors: 8:00 pm / Show: 8:30 pm

$10 ADV // $12 DOS

This event is 18 and over

+$3 under 21 surcharge collected at the door - waived with student ID

Scott H. Biram
Scott H. Biram
Rock ‘n’ Roll ain’t pretty and neither is Scott H. Biram. The self proclaimed ‘Dirty Old One Man Band’ successfully, and sometimes violently, lashes together blues, hillbilly and country precariously to raucous punk and godless metal.

Biram ain’t no candy-ass singer/songwriter either, sweetly strumming songs about girls with big eyes and dusty highways. His singing, yodeling, growling, leering and brash preachin’ and hollerin’ is accompanied by sloppy riffs and licks from his '59 Gibson guitar and pounding backbeat brought forth by his amplified left foot. The remainder of this one-man band consists of an unwieldy combination of beat-up amplifiers and old microphones strung together by a tangled mess of guitar cables.

Years of non-stop touring have honed his assault to a fine edge; his wide-eyed throw downs in the First Church of Ultimate Fanaticism routinely lead giddy followers to a fiery baptism.

Scott H. Biram won’t die. On May 11th, 2003, one month after being hit head-on by an 18-wheeler at 75 MPH, he took the stage at The Continental Club in Austin, TX in a wheel chair – I.V. still dangling from his arm. With 2 broken legs, a broken foot, a broken arm and 1 foot less of his lower intestine, Biram unleashed his trademark musical wrath.

When Scott H. Biram took the stage at his 2004 SXSW festival showcase right after Kris Kristofferson he was quoted as growling “They said that was a hard act to follow….I’m a hard act to follow motherfuckers!!” The stunned crowd looked on.

“Scott’s self described ‘dirty old one-man band’ had a captivating immediacy that big rock shows rarely reach. On stage Scott is a man possessed, spitting and snarling like a Mississippi juke-joint shouter on a moonshine bender.” – Eben Sterling, Thrasher

“He has a true stage presence that could be fairly compared to that of Clint Eastwood on film. The dude’s more dude than most other dudes you will ever meet.” – Austin Columnist

“An impassioned multi-instrumentalist unleashing a brutal cacophany with the fury of someone whose check from the Devil finally cleared. Half dirty blues, half underground punk, half honky-tonk, half revival meeting…oh shut up about the math. You’ll see the light.” – Dayna Papaleo, Rochester City News

“His barbarous exorcism of Depression-era blues—with a bedrock of frantic flatpicking, foot stomps into a floor mike, and gutteral growls through a distortion mike—has made Biram a rising star in Austin.” – Brian T. Atkinson, No Depression

“Biram is the kind of guy you don’t laugh at all the way just in case he really is crazy. We all wanna be entertained, but nobody wants to get stabbed in the head with a screwdriver.” – Frank de Blase, Rochester City News

“With a raw immediacy that recalls Hasil Adkins and Bob Log III, Biram specializes in a twisted hybrid of gutbucket, hillbilly and godless metal. He’ll praise the virtues of moonshine and titty bars one minute, then tongue-lash city slickers and hippies the next.” – John La Briola, Houston Press
Boo Bradley
Boo Bradley
Boo Bradley is good time two-man Hokum junk and jive orchestra who are as fun to watch as they are to listen to. Meeting up in 2007, Boo Mullarky and Bradley Selz took to Madison, Wisconsin's illustrious State Street with the full intention of bringing the rollicking sounds and antics of the early 20th century jug bands back to life. They quickly became known as the go-to act for fun in the sun at Madison's legendary farmers' market. Soon they were being asked to perform at festivals and shows around the state, sharing the stage with well-known roots performers such as the Carolina Chocolate Drops and Spider John Koerner . Between the two of them, this refreshing "little jug band that could" features a delightfully rich and clunky sonic pallet that is sure to cure whatever ails ya!
Jack Grelle
Jack Grelle
“Got Dressed Up to be Let Down,” the new album out October 2016 from St. Louis-based country songwriter Jack Grelle (Grell-EE), paints the picture of true Americana with depth and variety. Largely sculpted by 70s honky-tonk, the album weaves through diverse influences such as cajun, tejano, rock & roll and folk to create a passionately comprehensive interpretation of a classic sound. The songs are carefully crafted with contributions from an assortment of musicians including the South City Three (Pokey LaFarge) and John Horton (The Bottle Rockets). The arrangements include pedal steel, piano, fiddle and harmonica.

Jack’s willingness to travel around genre-lines is a testament to the urgency and restlessness of his artistry. This rambling spirit has brought him to over 13 countries and 3 continents with a tour schedule that averages 150 shows a year. He has shared the stage with Joe Ely, Billy Joe Shaver, Chris Stapleton, and Pokey Lafarge. LaFarge, who has personally invited Grelle to open shows on numerous occasions, referred to Jack as a “Midwestern poet” and “a timeless Renaissance man.” Jack has also enjoyed the opportunity to sit in with Dale Watson and his Lonestars.

As Grelle’s new album switches from waltzes to two-steps and rockers, the insight and intelligence in his lyrics remain consistent. Jack’s songs range in topic from celebrating the life of his recently-deceased grandmother to romance in South America, and he shows an integrity and courage that mirror his punk rock upbringing by tackling such topics as freedom in femininity and the tragedy of police killings that plague the African-American community.

Jack is a strong, idealistic artist who does not accept limitations. These qualities recently led him to step outside of his normal role as he assembled a backing band to tour the Midwest with Lavender Country, the music of Patrick Haggerty, a life-long gay rights activist who made the world’s first gay country album. Grelle’s drive continually leads him to new challenges, and he consistently exceeds expectations. With a strong new album and another long stretch of tour dates lining up, Grelle is poised for new horizons and great success in 2016 and beyond.
Venue Information:
The Frequency
121 W. Main Street
Madison, WI, 53703
http://madisonfrequency.com/